11.20.2010

musgum earth architecture

designboom has dedicated a large amount of time to learn more about clay - one of the earliest natural building
materials in history of men. our intent is to promote earth also as a building material of the future.
it represents an excellent alternative to cement whose manufacture releases considerable quantities of CO2.
individual housing units and small apartment buildings can easily be built from earth in every part of the world.
however, concrete remains an essential material for high-rise construction. the research effort should be
therefore two-pronged: tailoring earth to the needs of modern construction and making concrete 'greener'.

in this first article of a series, which we will publish in the upcoming weeks, we'll examine a few ancient building
techniques.

the musgum, an ethnic group in far north province in cameroon, created their homes from compressed
sun-dried mud. the tall conical dwellings, in the shape of a shell (artillery), featured geometric raised patterns.


musgum clay houses in cameroon
what strikes at first sight is their almost organic simplicity, a second reading reveals the functions behind the forms.
the walls of the houses are thicker at the base than at the summit, which increases the stability of the building.


detail




a characteristic settlement form is the compound, a cluster of units linked by walls

the domed huts of the musgum people are built in shaped mud, a variant of cob.
cob building is the most widely used technique in the world, since no tools are needed
- hands, earth and water are enough.


the name of these houses ('cases obos') comes from their similarity with the profile of shells.
it is very close to the catenary arch, the ideal mathematical form to bear a maximum weight
with minimal material. this profile also reduces the pressure effect of the impact of water drops
on the walls. furthermore, the extraordinary height (up to 9 meters) of these houses provides
a comfort climate during hot days. the top of the house is pierced with a circular opening,
allowing the air to circulate, resulting in the sensation of freshness.
today, these buildings have become somewhat obsolete, with only a few groups still practicing
this 'cases obos' type of construction.



it is customary to lay the mud spirally in lifts of approximately half a metre, allowing each lift to dry before adding the next.




drawing of a musgum dwelling


cross section of a musgum dwelling


... in the shape of a shell
curves and grooves are the language of natural forms.
the musgum house follows the profile of shells - the arc of a chain.
bows and vaults obtained in this way can be very slim and allow the use of a minimum
of material for maximum rigidity. the arc adopting the inverted profile (figure below)
will only work in compression and does not produces parasitic twisting or bending moments.



musgum throwing knives


maintenance of a musgum
the decorative surface allows for further refinement and individualization.
the veins are also contributing to the drainage of rain. the musgum houses require
regular maintenance of the coating and the veins allow people to climb atop the building.


historic images


historic images
the construction technique of musgum clay houses is currently also mentioned in the
exhibition 'ma terre premiere pour construire demain'.
it explores how and why we should build with earth.
on show at the cité des science et de l'industrie, paris until june 10th, 2010.

11.04.2010

smart EBIKE a design study of an electric bicycle for smart




For the mondial de l'automobile 2010 in Paris, France, smart, a subsidiary of the Daimler AG, decided to show two alternatives of electric mobility: an all electric scooter and an electric bicyle.
The deisgn and developement process started in June 2010 (tough schedule!) and went on till mid Sptember. Fortunately, at that time I was doing an internship at the Advanced Design Studio of Mercedes-Benz in Sindelfingen, Germany - so I got the task of designing the Bicyle!

Here are some impressions from the show in Paris, some press images and some sketches and renderings from the design process.










Enjoy!

10.05.2010

Life-Saving "Buoyancy Bazooka" Wins 2010 James Dyson Award


The device could save hundreds of drowning people each year, who are far out of reach from hand-thrown life preservers.
A rocket-propelled life-preserver which can be launched up to 500 feet has won the 2010 James Dyson Award, one of the world's most prestigious student-design awards. Australian student Samuel Adeloju, who invented the so-called Longreach buoy, wins $15,000, as well as $15,000 for the industrial design department at his alma mater, the University of New South Wales.
The news caps a months-long process which began with hundreds of entries, which were winnowed down into country winners and finalists.
The key to the Longreach's design is clever use of foam that expands once it touches water. When dry, the buoy is shaped like a bullet, allowing it to be launched from a bazooka-like device. But when it hits water, the buoy expands to forty times its original size--in just 15 seconds--forming a ring-shaped life-preserver. Adeloju says that he's already in contact with search and rescue groups to mass-produce the invention.



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8.27.2010

8.10.2010

Multi Touch Light Table


Senior Degree Project for the Kansas City Art Institute. DJ touch screen interface and gesture interaction concepts. 

In San Francisco area looking for collaborators interested in discussing this project further. 

To see process images, please visit: behance.net/gallery/Multi-Touch-Light-Table-gergwerk-/600092
you can see my other design work at: gergwerk.com

this project has a creative commons license of Attribution-NonCommercial-ShareAlike 3.0 Unported.
for more information about this license, please visit creativecommons.org/licenses/by-nc-sa/3.0/




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Visual Advocacy


Kansas City Art Institute website promoting the Visual Advocacy class. These are just a few of my fellow peers, and next top design minds out there. 

6.20.2010

Graffiti Analysis

Graffiti is preserved and improved with a new open-source software project and iPhone app
by Jacob Resneck in Tech on 27 May 2010  Applications, Art, Graffiti, iPhone, Software


The brains behind the daringly clever TSA Communicator project, iconoclastic technology artist Evan Roth is now spearheading an equally compelling software project, Graffiti Analysis.

Roth and his co-collaborators have developed an open source application that works with iPhones and others to capture the movements of graffiti artists and digitize the motion-rich styles into programming language that can be stored, swapped and recreated.

"The project aims to build the world's largest archive of graffiti motion, and bring together two seemingly disparate communities that share an interest hacking systems, whether found in code or in the city," Roth states.

There are several videos demonstrating how the software captures the oft-unseen motion of the artist. The information is uploaded to a open database and is freely accessible, allowing artists from around the world to analyze each other's techniques and build a community across continents.






Oil













via







5.19.2010

Vinyl Documentary: To Have & To Hold



To Have & To Hold is a new documentary from Jony Lyle that celebrates and explores the phenomenon of collecting Vinyl. The documetary includes interviews with well known collectors like Bobbito Garcia, ?uestlove, Chuck D, Andre Torres (From Wax Poetics), Amir (of Kon & Amir) and Bruce Ludvall, the owner of Bluenote. Based on the trailer the film seems to be heavily focused on collectors in or around New York.

You can learn more about the film at the official Facebook page. Also there’s an interview with the director over at Mat Dolphin’s blog.
I’d love to hear from other record collectors out there. What are some of your favorite pieces of vinyl in your collection?
(via Dylan over at the excellent Hard Feelings blog.)







4.11.2010

The Creative Lives Presents: Futura


Futura Feature from TheCreativeLives on Vimeo.

The Creative Lives continues to bring us some great artist documentary features. The latest one is on Futura and his 2008 exhibition in Los Angeles.
“A man that needs very little introduction, one of the godfathers of modern graffiti Lenny McGurr, aka Futura, was kind enough to share a few words with us during his Sept. 2008 pop up show in Los Angeles, “Strategic Synchronicity”. In this feature we talk about the influence Futura has had on modern street art and graffiti, and who he looked up to when he was a fan in 1970’s New York. Interviews with Saber, Revok, Slick, Mr. Brainwash, Jensen Karp, Pete Wentz, Divine Styler, and more.”











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3.08.2010

Africobra

The first exhibition in decades to bring together many of the most famous artworks created during a black art collective's formative years will be showcased at Northwestern University's Dittmar Memorial Gallery this winter.

"AfriCOBRA and the Chicago Black Arts Movement" opens Feb. 12 and runs through March 17 at the Dittmar Gallery, located on the first floor of Norris University Center, 1999 Campus Drive, on Northwestern's Evanston campus. The exhibition and several related events are free and open to the public.

northwestern.edu/newscenter/stories/2010/01/africobra.html

If you're in the Chicago area and able to visit Northwestern University, consider yourself lucky.  TheAfricobra exhibit will be at Northwestern's Dittmar Memorial Gallery until March 17th.  
Click here for more info.  
Continue reading "Legacy: Africobra" »

2.04.2010

Céleste Boursier-Mougenot at Barbican Centre, London




Eeerily good are this flock of Australian native zebra finches at creating a sonic soundscape that even Lee Ranaldo would be proud of. It’s all part of trained musician, turned artist Céleste Boursier-Mougenot’s forthcoming installation for the Barbican… a walk-though aviary furnished with electric guitars and other instruments will provide a perpetual live soundscape that may well be a match for any ‘fledgling’ post-rock star.


French artist Céleste Boursier-Mougenot creates works by drawing on the rhythms of daily life to produce sound in unexpected ways.

For his installation in The Curve, Boursier-Mougenot creates a walk-though aviary for a flock of zebra finches, furnished with electric guitars and other musical instruments. As the birds go about their routine activities, perching on or feeding from the various pieces of equipment, they create a captivating, live soundscape.

27 February 2010 - 23 May 2010
The Curve, Barbican, London
http://www.barbican.org.uk/thecurve/b...

1.10.2010

Epitaph – Makhulu Productions


epitaph from rowan pybus & faith47 on Vimeo.



epitaph is an exploration of lost spaces entered through sounds and images to reveal the echoes of empty rooms, flakes of paint, swollen curves, fragile lines, stories hidden in the flat colors broken apart by wood and steel...

rowan pybus, faith47 and inge beckmann worked closely together to produce this short video piece...
this is the third in a series of videos that faith47 and rowan pybus have been working on.

makhulu.blogspot.com/
faith47.com
myspace.com/ingebeckmann

1.05.2010

Lhasa ~ My name


Why don't you ask me
How long I've been waiting
Set down on the road
With the gunshots exploding
I'm waiting for you
In the gloom and the blazing
I'm waiting for you

I sing like a slave I know
I should know better
I've learned all my lessons
Right down to the letter
And still I go on like this
Year after year
Waiting for miracles
And shaking with fear

Why don't you answer
Why don't you come save me
Show me how to use
All these things
That you gave me
Turn me inside out
So my bones can save me
Turn me inside out

You've come this close
You can come even closer
The gunshots get louder
And the world spins faster
And things just get further
And further apart
The head from the hands
And the hands from the heart

One thing that's true
Is the way that I love him
The earth down below
And the sky up above him
And still I go on like this
Day after day
Still I go on like this

Now I've said this
I already feel stronger
I can't keep waiting for you
Any longer
I need you now
Not someday
When I'm ready
Come down on the road
Come down on the road

My name, my name
Nothing is the same
I won't go back
The way I came